The spotted hawk swoops by and accuses me, he complains of my gab and my loitering. Outlines! To it the creation is the friend whose embracing awakes me. 3. As “Song of Myself” has demonstrated throughout, a self that does not change is a stunted identity, dead to the transforming stimuli of the multitudinous world around us, stimuli that include the transforming words of this poem. 1. One of Walt Whitman's most loved and greatest poems, "Song of Myself" is an optimistic and inspirational look at the world. The fireworks were dazzling, and from a rock outcropping on a sacred mountain I saw bursts of silver and red and blue, launched from the Han River, fall over the lights of Seoul, in the shapes of spiders and palms and peonies; many seconds passed before their report arrived—a sound, as of artillery, which brought back memories of wars that I had covered, as well as a trip made long ago to the Demilitarized Zone between North and South Korea, where gunners on both sides of the border were firing practice rounds. It is a way of attaining knowledge of spiritual truths through intuition. Now I woke with a start. Considered Whitman’s most important work, and certainly his best-known, the poem revolutionized American verse. The supernatural of no account, myself waiting my time to be one of the supremes, The day getting ready for me when I shall do as much good as the best, and be as prodigious; By my life-lumps! But I was so tired from my travels that I could not keep my eyes open, despite the pyrotechnic spectacle; and as I drifted off to sleep the distant thudding mixed in dream with what I had heard on the hike up the mountain—voices murmuring in the dark, above the candlelit spring of the mythological Dragon King, ruler of the waters, the one responsible for floods and droughts. Walt Whitman: Song of Myself, Part 51. As “Song of Myself” draws to a close, the poet is emerging from the intense imaginative journey that has taken him to the far reaches of the cosmos as well as to the inner workings of his body, has revealed to him the unity of the stars with the dung beetle—of God with the pokeweed—and has opened up to him how “a leaf of grass is no less than the journey-work of the stars.” Now, awakening from this vast vision, he is “wrench’d and sweaty,” wrung out from the effort, and he feels a bodily calm, a sleep coming on, and his powers of articulation are attenuated as he searches for the words that will summarize what his visionary journey has taught him. Updated February 28, 2017 | Infoplease Staff. Declaration of Independence, where Thomas Jefferson revised John Locke’s democratic guarantee of “life, liberty, and property” to the far more evocative “life, liberty, and the pursuit of happiness.” Americans are not guaranteed happiness, only the right to pursue it, to try to define it. Describe the meaning of Transcendentalism and why Song of Myself typifies the genre. Song of Myself Section 6 by Walt Whitman: Summary and Analysis By the sixth section, Whitman has established the setting, mood, and tone, and has also introduced the basic themes of the poem. Walt Whitman’s Song of Myself is a poem which attempts to liberate both the poet and reader from the restraints of convention by thoroughly exploring and emphasizing transcendentalist beliefs of a common soul or spiritual state, known only in an individual’s intuition, which encompasses and goes beyond the materialistic and physical world. "Song of Myself" by Walt Whitman celebrates the theme of democracy and the oneness of mankind, specifically the American people. But Whitman struggles to name it nonetheless: “it” is not tied to the earth as we are; “it” is vaster than that, a force of the universe that is experienced at the most microscopic level every bit as much as at the most macroscopic. She also said that the background behind the song was about moving on. Look in … . “Song of Myself” is a sprawling combination of biography, sermon, and poetic meditation. “I will try,” said the American poet A. R. Ammons, “to fasten into order enlarging grasps of disorder, widening/ scope”—a project worthy of Whitman, who declared in his preface to the 1855 edition of Leaves of Grass that “The known universe has one complete lover and that is the greatest poet.” He is “the equable man,” who finds in the speech and manners of common people, his brothers and sisters, an unrhymed poetry (“form, union, plan”) to balance chaos and the inescapable fact of our mortality: a vision of eternal life. This is what constitutes happiness. I loafe and invite my soul, I lean and loafe at my ease observing a spear of summer grass. This poem presents a continual stream of human consciousness, where he attempts to analyze death as natural and transformative process, which ought to occur to everybody. He explained to Metal Hammer magazine: "I wanted to pay homage to him and do the lyrics in a way that he would possibly write. Here is one of the poem's most famous and representative lines: "Do I contradict myself? She wrote the entire song over the course of three weeks only working between 12:51:00 and 12:51:59, hence the title. January 29, 2010. "Song of Myself" is a poem by Walt Whitman (1819–1892) that is included in his work Leaves of Grass. Whitman breaks up “Song of Myself” with a kind of parable. As Whitman struggles to name this force that permeates what we humans call life and death, that extends from the tiniest specks to the vastest realms, he assures us that “it is not chaos or death” but rather “form, union, plan.” He does not deny chaos and death; instead, he tells us that what appear to us to be chaos and death are just parts of a larger plan, a vast union that we may fail to see from our limited perspective. Get an answer for 'What is the meaning of section 52 in "Song of Myself" by Whitman?' We're running out of time to talk with him. The last scud of day holds back for me, "Song of Myself" is a poetical expression of that mystical experience. Walt Whitman never published more than one book his entire life. Whitman sleeps and wakes in this section, conscious of something inside him—a current, a ghostly sensation, an unsaid word not found “in any dictionary, utterance, symbol”—that inspires his longing for a poetic form equal to his democratic vision, the outlines of which are all around him: in people, places, and things; in the geological and historical record; in memory and imagination.